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From revelations to red herrings - what makes a good clue in a crime novel?!

A good clue might seem minor or unrelated at first, but later, when the twist is revealed, it becomes  obviously significant . Example : A dog that didn’t bark during a break-in later reveals the intruder was someone known to it. The best clues aren’t hidden, they’re right there,   buried among distractions  or filtered through character assumptions. T echnique : Use red herrings or multiple interpretations to mask the true meaning. The clue should emerge naturally from character behaviour or choices and not be dropped in arbitrarily. Example : A suspect unconsciously straightening a crooked picture frame may link them to a ransacked room later. Make clues reflect the larger emotional truth or moral question of the story. Example : A discarded child’s toy at the crime scene isn’t just a clue, it hints at the victim’s broken home life. No clue should exist in isolation. It should tie into at least one other clue, forming a web that readers can eventually untangle. What Fee...
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Why I chose Suffolk as the setting for my murder mystery

When I began planning 'The Leiston Riddle', one of the first decisions I made was about where the murder would take place. Not just any backdrop would do. I needed a setting with atmosphere, history, and the kind of quiet menace that makes a murder mystery truly unsettling. That’s when Suffolk called to me. Suffolk, with its windswept coastline, sprawling heathlands and close-knit villages, offers a unique blend of beauty and isolation. It’s a place where the mist hangs low over the fields in early morning, where narrow lanes twist through centuries-old parishes, and where everyone knows each other—or at least thinks they do. That kind of landscape creates the perfect breeding ground for secrets. There’s a certain timelessness in Suffolk. You can stand on the edge of a crumbling cliff or inside a church that’s stood since the Middle Ages and feel history pressing in. It makes you wonder: what stories have these walls heard? What might still be buried—both literally and metaphor...
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